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New Release! Michael Praetorius (1571-1621): Advent and Christmas Music with Bremer Barock Consort, Manfred Cordes, dir. CPO, 2007 Solo and chamber performances of some of the most beloved Advent and Christmas music of all time, including Nun komm der Heiden Heiland, In dulci jubilo, Vom Himmel hoch, and Puer natus in Bethlehem. Read more > Purchase |
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Dietrich Buxtehude (1637-1707): Das Jüngste Gericht with Weser-Renaissance, Manfred Cordes, dir. CPO, 2007 Written for the 1683 Abendmusik in Lübeck, Buxtehude’s dramatic oratorio depicts the Last Judgement, with Margaret Hunter in the role of “Leichtfertigkeit.” Read more > Purchase |
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Antonia Bembo (c.1640- c.1720): The Seven Psalms of David, Vol. I with La Donna Musicale, Laury Gutiérrez, dir. LA, 2005: 57’25” Solo and chamber psalm settings showcasing the magnificent creativity of two women, composer Antonia Bembo and poet Elisabeth Chéron. * * * * * Awarded 5 Stars by Goldberg Magazine! Read more > Purchase |
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Antonia Bembo (c.1640- c.1720): The Seven Psalms of David, Vol. II with La Donna Musicale, Laury Gutiérrez, dir. LA, 2006: 57’25” Volume II concludes the first-ever recording of the penitential psalm settings by this 17th-century, Franco-Italian composer. “In particular, soprano Margaret Hunter… produces a moving performance…with idiomatic phrasing and ornamentation.” --Early Music, May 2006. Read more > Purchase |
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Jean-Baptiste Lully (1632-1687): Thésée with the Boston Early Music Festival, Paul O’Dette and Stephen Stubbs, dirs. CPO, 2007 Margaret sings in the chorus of the Boston Early Music Festival’s world première recording of Lully's Thésée, first performed by BEMF in 2001, to international acclaim. Read more > Purchase |
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Thomas Crecquillon (c.1505-c.1557): Volume I; Missa Domine Deus omnipotens, Motets, with the Choir of the Church of the Advent, Edith Ho, dir. ARSIS, 2001: 65’20” This is the first-ever recording devoted to the well- regarded Renaissance composer, Thomas Crecquillon. The 6-voice mass setting is among his most elaborate, paired here with a selection from his more than a hundred motets. Read more > Purchase |
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Thomas Crecquillon (c.1505-c.1557): Volume II; Missa D’ung petit mot, Motets, with the Choir of the Church of the Advent, Edith Ho, dir. ARSIS, 2002: 67’08” “Edith Ho and her excellent choir deliver revelatory performances. Crecquillon's smooth-as- glass vocal lines guide along marvelously, every phase crisp and clear…” --Early Music America, Spring 2003 Read more > Purchase |
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Pierre de Manchicourt (c.1510-1564): Volume I; Missa Non conturbetur cor vestrum, Motets with the Choir of the Church of the Advent, Edith Ho, dir. ARSIS, 2005: 58’22” “This is gorgeous music, unavailable elsewhere and beautifully performed, making the disk a must- have.” --Early Music America, Summer 2005 Read more > Purchase |
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Tomás Luis de Victoria (1548-1611): Requiem and Improperia with the Choir of the Church of the Advent, Edith Ho, dir. ARSIS, 2004: 70’08” Each Good Friday countless churches worldwide recall the suffering of Christ on the Cross through a series of chants known as the Improperia or “Reproaches.” Victoria’s is one of the most beloved of these settings, sung by the Choir of the Church of the Advent has for decades. Read more> Purchase |
Philippe, Ludger Remy, dir. (CPO)
Gérard Grisey: Les Chants de l’Amour (1984) with Klangforum Heidelberg,
Walter Nußbaum, dir. (WDR)
